Domnei A Comedy of Woman-Worship by Cabell, James Branch, 1879-1958
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A word from our supporters: File extension GG | E-text prepared by Suzanne Shell, Anuradha Valsa Raj, and Project Gutenberg Distributed Proofreaders Domnei A Comedy of Woman-Worship By JAMES BRANCH CABELL 1920 "_En cor gentil domnei per mort no passa_." TO SARAH READ McADAMS IN GRATITUDE AND AFFECTION "The complication of opinions and ideas, of affections and habits, which prompted the chevalier to devote himself to the service of a lady, and by which he strove to prove to her his love, and to merit hers in return, was expressed, in the language of the Troubadours, by a single word, by the word _domnei_, a derivation of _domna_, which may be regarded as an alteration of the Latin _domina_, lady, mistress." --C. C. FAURIEL, _History of Provencal Poetry_. CONTENTS CHAPTER A PREFACE CRITICAL COMMENT THE ARGUMENT PART ONE--PERION I HOW PERION WAS UNMASKED II HOW THE VICOMTE WAS VERY GAY III HOW MELICENT WOOED IV HOW THE BISHOP AIDED PERION V HOW MELICENT WEDDED PART TWO--MELICENT VI HOW MELICENT SOUGHT OVERSEA VII HOW PERION WAS FREED VIII HOW DEMETRIOS WAS AMUSED IX HOW TIME SPED IN HEATHENRY X HOW DEMETRIOS WOOED PART THREE--DEMETRIOS XI HOW TIME SPED WITH PERION XII HOW DEMETRIOS WAS TAKEN XIII HOW THEY PRAISED MELICENT XIV HOW PERION BRAVED THEODORET. XV HOW PERION FOUGHT XVI HOW DEMETRIOS MEDITATED. XVII HOW A MINSTREL CAME XVIII HOW THEY CRIED QUITS XIX HOW FLAMBERGE WAS LOST XX HOW PERION GOT AID PART FOUR--AHASUERUS XXI HOW DEMETRIOS HELD HIS CHATTEL XXII HOW MISERY HELD NACUMERA. XXIII HOW DEMETRIOS CRIED FAREWELL XXIV HOW ORESTES RULED XXV HOW WOMEN TALKED TOGETHER XXVI HOW MEN ORDERED MATTERS XXVII HOW AHASUERUS WAS CANDID XXVIII HOW PERION SAW MELICENT XXIX HOW A BARGAIN WAS CRIED XXX HOW MELICENT CONQUERED THE AFTERWORD BIBLIOGRAPHY A Preface By Joseph Hergesheimer It would be absorbing to discover the present feminine attitude toward the profoundest compliment ever paid women by the heart and mind of men in league--the worshipping devotion conceived by Plato and elevated to a living faith in mediaeval France. Through that renaissance of a sublimated passion _domnei_ was regarded as a throne of alabaster by the chosen figures of its service: Melicent, at Bellegarde, waiting for her marriage with King Theodoret, held close an image of Perion made of substance that time was powerless to destroy; and which, in a life of singular violence, where blood hung scarlet before men's eyes like a tapestry, burned in a silver flame untroubled by the fate of her body. It was, to her, a magic that kept her inviolable, perpetually, in spite of marauding fingers, a rose in the blanched perfection of its early flowering. The clearest possible case for that religion was that it transmuted the individual subject of its adoration into the deathless splendor of a Madonna unique and yet divisible in a mirage of earthly loveliness. It was heaven come to Aquitaine, to the Courts of Love, in shapes of vivid fragrant beauty, with delectable hair lying gold on white samite worked in borders of blue petals. It chose not abstractions for its faith, but the most desirable of all actual--yes, worldly--incentives: the sister, it might be, of Count Emmerick of Poictesme. And, approaching beatitude not so much through a symbol of agony as by the fragile grace of a woman, raising Melicent to the stars, it fused, more completely than in any other aspiration, the spirit and the flesh. |



